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A Blog of Geek Eccentricities
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This past weekend, Katherine and I visited the Harn Museum of Art in Gainesville. It's a fine, eclectic mix of various periods and origins in the visual arts. We especially enjoyed the fin-de-siecle collection of American painting and the special exhibit of historic American photography.
Last week, I posted a video mashup and redub of scenes from the old sci-fi cartoon Exosquad. It reminded me of what a gem was this short-lived show.
Exosquad was set 150 years into the future, as humanity had begun to settle terraformed Mars and Venus. The series began with the narration "It was a Golden Age for mankind. The Earth knew no hunger, nor want...." But all was not paradise. To work in the harsh environs of space, a united Earth had created a race of genetically-engineered slaves. Fifty years before the show, these slaves, called NeoSapiens, had rebelled against their Terran masters. The rebellion was crushed, but the NeoSapiens were manumitted anyway to prevent future trouble. Although free from forced labor, the NeoSapiens were second-class citizens. They chafed under their bonds, until they fell under the spell of a charismatic leader named Phaeton.
Phaeton became Governor of Mars and secretly built an army to conquer the solar system. After luring the small and underfunded Exofleet out far away from the inner planets, Phaeton launched a sneak attack on Earth and Venus and conquered the homeworlds. But Phaeton had dreams of more than just freeing NeoSapiens; he intended to exterminate all natural humans. A three-year war followed, comprising the Exosquad series, which told the story of the war in general and one squad of Terran soldiers in particular, led by Lt. J.T. Marsh.
Alas, Exosquad had many liabilities that led to its cancellation after two seasons, the conclusion of the war, and what Jeff the Baptist called "the biggest cliffhanger". It was a cartoon, and an action cartoon, which would naturally lead it to be marketed to kids. But few children could have grasped the sophistication of the story. It was also a serial, which allowed for the writers to create an intricate plot, but also made entering the storyline mid-stream challenging (Bab 5 faced the same problem). And finally, it had the most awful timeslot available: 6 AM on Friday mornings, when any sensible adult or kid would still be in bed.
Mark Whittinghill:
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What would be on your list?
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Do you ever notice that blogging can take up so much time? That you often have to wade through boring posts to find the good stuff? That navigating through your favorite blogs can be a chore?
Emile Friant (1863-1932) was a French Realist painter. My biographical information about him is limited by my extremely rusty French. But as much as I can discern, he studied at the Ecole des Beaux-Arts in Nancy, and then later in Paris under the great Alexandre Cabanel. As a true Academician, he stressed photographic realism and found critical success at the Universal Exposition at 1889, as well as won second place in the Prix de Rome. His refined craftsmanship can be clearly seen in the works below.
Political Discussion (oil on canvas, 1889).
Wrestling (oil on canvas, 1889, at the Musée Fabre in Montpellier).
Childhood Grief (oil on canvas, 1897).
Henry Neufeld is skeptical of claims that good and bad literature may be objectively identified:
Candice Waters:
Robert Henri (1865-1929) was an American Ashcan painter. Born in Nebraska to a riverboat gambler, he changed his name from Cozad to Henri when his father fled authorities on a murder charge. He studied at the Pennsylvania Academy for the Fine Arts and at the Academie Julian in Paris. At the latter, Henri was influenced by the French Impressionists, particularly Manet. Back in America, he settled in New York City and became a prodigious teacher. George Bellows and Edward Hopper were among his students. In his own work and through his students, Henri is considered to be the founder of the Aschan Movement -- a New York-centered American art movement which realistically depicted the urban lower classes and openly rejected European stylistic standards.
Cafferty (oil on canvas, 1926). Traditionally thought to be an Irish-American boy, Cafferty is representative of Henri's embrace of gritty, urban life.
Salome (oil on canvas, 1909, Mead Art Museum). Oscar Wilde's French play Salome captivated public attention for decades after its 1896 release. A 1905 German opera on the character likewise gathered wide acclaim.
Jessica Penn in Black and White Plumes (oil on canvas, 1908).


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From a good list:Hat tip: Joe Carter
Today is World Communion Sunday. I switched our normal order for Holy Communion and did it after a sermon about that subject. I think that it went pretty well.
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Pastors, have you ever refused to marry an engaged couple? If yes, why? How did the situation play out?Here's an interesting article:
Emergent leaders call for ‘missional re-understanding of Jesus-followership and Christ-focus imbued with passionate creativity and emotional authenticity,’ whatever that means
CEDAR RAPIDS, Iowa — At a recent conference-like "gathering" of emergent church leaders, various factions sparred over competing visions for the future of the movement. Leaders on one side called for "deepening and continuously beautiful efforts toward emotionally true self-divulgence and confession." Other leaders countered with a call for "a theological re-purposing of our objective and subjective missionality within a framework of God-love." Because few in attendance actually understood what either side meant, both ideas were tabled.
The sides did agree that emergent leaders should continue to take every opportunity to make casual, cool cultural references to popular television shows, movies and Internet phenomena to introduce quasi-intellectual spiritual points about the state of the American church.
Tony Morgan asks what church would be like if Apple Computers created one. That's an interesting train of thought. I'll ask the opposite question: if Microsoft started a church, what would it be like?What else would be a glitch feature in a Microsoft church?
Hat tip: Gavin Richardson