
Certainly in this day and age many illustrators are also painters. Meaning, I suppose, that as illustrators they work on commissioned commercial projects and as painters they do their own work for the purpose of gallery sale or exhibition. In my opinion the divide in these two worlds today comes from the top of the painting world. Meaning that the critics at the top of the fine arts/gallery scene still make distinctions about who they're willing to accept into their "art society" and who they're not. Or more importantly who should be counted in the context of modern art history and who should not.
I agree. It is an artificial, elitist-driven division.



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