It was this work, Faun and Nymph from 1925, that caught my attention. Most of the decorative bronzes that I have seen from the Art Deco era (such as those of Ferdinand Preiss and Demetre Chiparus) reflect Jazz Age subject matter, but were essentially academic in style. Yet here, Le Faguays takes the three-dimensional medium of sculpture and adopts the heavy lines and two-dimensionality of Art Deco graphic design. This may be seen the most strongly in the poses and hair of the figures and the musculature of the faun.
It reminds me of Hildreth Meiers's sculptures on the outside of Radio City Music Hall. These were, by necessity, flat. But Le Faguays faced no such limitation and simply adopted the sharp angularity for purely aesthetic reasons.