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St. George (1890) at the National Gallery in London. What I like about Moreau is how he combines the dreamlike imagination of the Symbolist movement with the technical refinement of the Academic tradition.
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Jupiter and Semele (1895) at the Gustave Moreau Museum in Paris. There are not words to describe the splendorous detail in this painting. I strongly suggest that you consult this high resolution image.
Semele was a lover of Zeus and mother of Dionysius. Decieved by the jealous Hera, she demanded that Zeus reveal his true nature. Zeus did so, and she perished in the full sight of his godhood.
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Salome Dancing Before Herod (1876) at the Armand Hammer Museum of Art in Los Angeles. Moreau was a master of lumeniscence.
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